VeeDeeS
Key Features
- Dedicated sibilance reduction calibrated to attenuate frequencies above 3 kHz
- Three-control interface with Attack, Release, and Sensitivity for quick vocal de-essing
- Adjustable attack and release times to match different vocal characteristics and singing styles
- Built-in VU meter for real-time visual monitoring of gain reduction
- Preserves the body and warmth of vocals while taming harsh high-frequency consonants
- Lightweight plugin with included operations manual for easy setup
Description
VeeDeeS by Viper ITB is a dedicated de-esser plugin that targets sibilant consonants in vocal recordings. It attenuates problematic phonemes like "S," "Z," and "SH" sounds that tend to stick out, especially when vocals have been EQ'd to be bright and present.
The plugin operates as a specialized high-frequency compressor calibrated to attenuate everything above 3 kHz. This focused approach lets it reduce harshness without affecting the body and warmth of the underlying vocal performance.
VeeDeeS keeps its interface stripped back to three essential controls: Attack, Release, and Sensitivity. Attack and release times can be tailored to match the characteristics of specific singers, giving you precise control over how quickly the de-essing engages and lets go.
A built-in VU meter provides real-time visual feedback of the gain reduction being applied. The plugin works particularly well on heavily EQ'd vocals where high-frequency buildup makes sibilance more pronounced and distracting.
VeeDeeS is available as a 32-bit VST plugin for Windows. The download weighs in at approximately 2.47 MB and includes an operations manual.
Frequently Asked Questions
What frequencies does VeeDeeS target?
VeeDeeS is calibrated to attenuate everything above 3 kHz. This covers the typical frequency range where sibilant consonants like S, Z, and SH sounds become problematic in vocal recordings.
Can VeeDeeS be used on instruments or only vocals?
While VeeDeeS is designed and calibrated specifically for vocal de-essing, its high-frequency attenuation can technically be applied to any source with harsh high-end content. However, it is optimized for the characteristics of human speech and singing.
How do I set the attack and release times correctly?
Start with moderate settings and adjust based on the vocalist. Faster attack times catch sibilants more aggressively, while slower release times create smoother transitions. Listen for natural-sounding results where the S sounds are reduced but the vocal still feels lively.
