How To EQ Rap Vocals: Get Professional Quality Sound Every Time

Equalization (EQ) is a crucial aspect of mixing rap vocals, as it can make or break the clarity, presence, and overall impact of the vocals in a track.

In this article, we’ll cover everything you need to know to EQ your Rap Vocals.

Let’s get started!

Preparing Rap Vocals for EQ

Before we discuss EQ for rap vocals, it’s crucial to get a high-quality recording first.

Let’s talk about how you can get a quality recording.

To capture clean and clear vocal recordings:

• Use a high-quality microphone suitable for the rapper’s voice.
• Record in a treated room to minimize unwanted reflections and background noise.
• Ensure proper microphone technique and maintain consistent distance and positioning.

Common issues in raw rap vocals that can be addressed with EQ include:

• Excessive low-end rumble or muddiness.
• Harsh or sibilant high frequencies.
• Nasal or boxy mid-range frequencies.

EQ Techniques for Rap Vocals

Our main technique for EQing rap vocals is using Subtractive and Additive EQing.

Subtractive EQ involves removing unwanted frequencies to clean up the vocal track.

This can help reduce muddiness, harshness, or other frequency buildups that may clash with other elements in the mix.

Additive EQ, on the other hand, involves boosting certain frequencies to enhance the desired characteristics of the vocals, such as clarity, presence, or warmth.

Here is a chart of te various frequency ranges and how they relate to rap vocals.

Frequency Range	Description
80-200 Hz	Low-end fullness and body.
200-500 Hz	Warmth and depth.
500-2000 Hz	Clarity and intelligibility.
2000-5000 Hz	Presence and articulation.
5000-10000 Hz	Airiness and sparkle.

We can use this chart to make informed decisions on what frequency ranges to use subtractive and additive EQing.

Let’s now put all this together and cover a step by step example on how to EQ rap voals

Step by Step Example of EQing Rap Vocals

1. High-Pass Filter

Apply a high-pass filter to remove low-end rumble and noise.

Set the filter to around 150Hz to clean up the low frequencies without affecting the vocal’s clarity.

2. Attenuate Problem Frequencies

Identify and attenuate problematic frequencies.

Common areas to look at include:

• 300Hz: Use a bell curve to attenuate this frequency to reduce muddiness.
• 700Hz: Attenuate this frequency to remove boxiness.

3. Boost Presence Frequencies

• Boost frequencies that enhance the vocal’s presence and intelligibility:
  • 500Hz: Use a bell curve to slightly boost this frequency for warmth.
  • 2.5 to 3kHz: Boost this range to make the vocal more present and clear.

4. Air Shelf

Apply an air shelf to boost the high-end frequencies, typically starting around 8kHz.

This adds brightness and clarity to the vocal.

5. De-Essing

Use a de-esser to tame harsh sibilance. Sweep a tight boost to locate sibilant frequencies, usually between 5kHz and 8kHz, and then set the de-esser to reduce these frequencies.

6. Saturation

Apply frequency-specific saturation to add warmth and harmonics.

For rap vocals, clear vocals often win out over warm or full vocals, so use a high quality saturation plugin to distort high frequencies and create higher-order harmonics.

7. Parallel Compression

Create a parallel send or aux track for the vocals. I

nsert a compressor or saturator and heavily compress or saturate the signal.

Blend the parallel signal back in via the channel fader to include just the right amount of compressed high frequencies.

8. Reverb and Delay

Use short reverb times to thicken the vocal sound.

Apply both ambient and room reverb, and a subtle long reverb with boosted high frequencies for an airy sound.

For delay, use a short delay that syncs to the host BPM, typically set to a 1/64th note, to make the vocal more present.

By following these steps, you can achieve a professional-sounding rap vocal mix that stands out in the mix and complements the instrumental.

Common EQ Settings for Different Rap Vocal Styles

• Aggressive and upfront rap vocals: These rap vocals focus on boosting the mid-range (1-3 kHz) for clarity and presence, while slightly cutting the low-mids (200-500 Hz) to reduce muddiness.
• Smooth and melodic rap vocals: These may benefit from a gentler high-end boost (6-10 kHz) for airiness and a subtle low-mid boost (200-400 Hz) for warmth.
• Ad-libs and background vocals: consider their placement in the stereo field and frequency spectrum. Think more subtractive EQing and heavier use of delay and reverb. High-pass filtering and a slight mid-range cut can help them sit behind the lead vocals without cluttering the mix.

Using EQ in Context with Other Mixing Tools

EQ and compression work hand in hand when mixing rap vocals.

EQ can be used to shape the frequency balance before or after compression, depending on the desired effect.

Reverb and delay can also be shaped by EQ to achieve the desired tonal character and spatial placement of the vocals.

High-pass filtering the reverb or delay returns can prevent muddiness and maintain clarity.

Parallel processing involves blending the processed and unprocessed vocal signals, allowing for greater control over the perceived texture and impact of the vocals.

Example of Good Rap Vocal EQing

Analyzing the EQ settings in popular rap songs can provide valuable insights into effective vocal mixing techniques.

For example, in Kendrick Lamar’s “HUMBLE”, the lead vocals have a strong presence in the mid-range, with a slight boost around 1-2 kHz for clarity and a subtle high-end shelf for air.

Tips from Industry Professionals

Experienced sound engineers offer valuable advice on EQing rap vocals:

• “Start with subtractive EQ to clean up the vocals before boosting frequencies.” – Derek “MixedByAli” Ali
• “Be mindful of the vocal’s placement in the frequency spectrum in relation to other elements in the mix.” – Leslie Brathwaite
• “Use EQ to enhance the natural characteristics of the rapper’s voice, not to drastically change it.” – Jaycen Joshua

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Still having trouble with EQing?

View all our other EQing tutorials below: