MasterTone by Analog Obsession artwork

MasterTone

by Analog Obsession
Best for Broad bass and treble shaping with transformer color on tracks, buses, and mixes
Free alternative to
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Key Features

  • Shape low frequencies with a Baxandall band spanning 50–400 Hz
  • Adjust the high-frequency balance across a 3–10 kHz range
  • Boost or cut either band by up to 16 dB for broad tonal moves
  • Drive the output transformer using the gain-compensated input control
  • Set the final level independently with a clean output control
  • Resize the interface from 50% to 200% and bypass processing with the power control

Description

MasterTone by Analog Obsession is a transformer-balanced Baxandall EQ plugin for broad low- and high-frequency tone shaping. Its two bands and input drive bring a simple analog-style approach to individual tracks, buses, and full mixes.

The low band selects frequencies from 50 Hz to 400 Hz, while the high band covers 3 kHz to 10 kHz; each provides up to 16 dB of boost or cut. These wide tonal moves are useful for changing the overall balance, but a parametric EQ is a better fit for isolating narrow resonances.

The gain-compensated input control sits after the input transformer, and turning it up drives the output transformer harder. A separate clean output control adjusts the final level, letting you balance the result after changing the input or EQ settings.

The interface can be resized from 50% to 200% using its corner handle, and the power control bypasses processing. To keep a preferred interface size for new instances, the developer recommends resizing before changing the controls and saving that state as the DAW default preset.

Version 1.1 addresses a volume-drop and channel-mute issue. MasterTone comes in VST3, AU and AAX formats for supported Mac hosts and VST3 and AAX formats for Windows; the developer's page provides the current installers.

Frequently Asked Questions

Can MasterTone remove a narrow resonance?

Its two Baxandall bands are intended for broad changes to bass and treble. Use a parametric EQ when you need a narrow, targeted cut.

How do the input and output controls differ?

The gain-compensated input control can drive the output transformer harder. The output control sets the final level cleanly.

How can I keep my preferred interface size?

Resize the first instance before adjusting its knobs, then save that state as your DAW’s default preset. New instances can then open at that size.

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